A lot is known about his life and career but little is known about his Character and personality. He never married and seems to be a man of simple Tastes. Patrons often found him hard to deal with and he demanded a lot of Artistic freedom. The inscriptions and signatures on his works are among the Earliest examples of classical Roman lettering.
Donatello was a master of sculpture in bronze and marble and was one of the greatest Italian Renaissance artists of his time. A lot is known about his life and career but little is known about his character and personality. He never married and seems to be a man of simple tastes.
Patrons often found him hard to deal with and he demanded a lot of artistic freedom. The inscriptions and signatures on his works are among the earliest examples of classical Roman lettering. He had a more detailed range of knowledge of ancient sculpture than any other artist of his time.
His work was inspired by ancient visual examples which he often Donatello essay, he was really viewed as a realist but later research showed he was much more. Donatello was the son of Niccolo di Betto Bardi, a Florentine wool carder. It is not known how he started his career but probably learned stone carving from one of the sculptors working for the cathedral of Florence about Some time between and he became a member of the Donatello essay of Lorenzo Ghiberti who was a sculptor in bronze.
Donatello's earliest work was a marble statue of David. The "David" was originally made for the cathedral but was moved in to the Palazzo Vecchio which is a city hall where it long stood as a civic-patriotic symbol. From the sixteenth century on it was eclipsed by the gigantic "David" of Michelangelo which served the same purpose.
Other of Donatello's early works which were still partly Gothic are the impressive seated marble figure of St.
John the Evangelist for the cathedral and a wooden crucifix in the church of Sta. The full power of Donatello first appeared in two marble statues, "St. George" which were completed in George" has been replaced and is now in the Bargello.
For the first time the human body is rendered as a functional organism. The same qualities came in the series of five prophet statues that Donatello did beginning in The statues were of beardless and bearded prophets as well as a group of Abraham and Isaac in and also the "Zuccone" and "Jeremiah".
Donatello invented his own bold new mode of relief in his marble panel " St. George Killing The Dragon" The technique involved shallow carving throughout, which created a more striking effect than in his earlier works.
He no longer modelled his shapes but he seemed to "paint" them with his chisel. Donatello continued to explore the possibilities of the new technique he would use in his marble reliefs of the 's and early 's. Peter," the " Feast of Herod"the large stucco roundels with scenes from the life of St.
John the Evangelistand the dome of the old sacristy of S. Lorenzo shows the same technique but with colour added.
Donatello had also become a major sculptor in bronze. His earliest work of this was the more than life size statue of St. Louis which was replaced half a century later.
Donatello in partnership with Michelozzo helped with fine bronze effigy on the tomb of the pope John XXIII in the baptistery, the "Assumption of the Virgin" on the Brancacci tomb and the dancing angels on the outdoor pulpit of the Prato Cathedral His departure from the standards of Brunelleschi did not go to well between the two old friends and was never repaired.
Brunelleschi even made epigrams against Donatello. During his partnership with Michelozzo, Donatello made works of pure sculpture, including several works of bronze. The earliest and most important of these was the "Feast of Herod" He also made two statuettes of Virtues and then three nude child angels one which was stolen and is now in the Berlin museum.
These statues prepared the way for the bronze statue of David, the first large scale, free-standing nude statue of the Renaissance.
It was the most classical of Donatello's works and was done for a private patron. Its recorded history begins with the wedding of Lorenzo the magnificent inwhen it was placed in the courtyard of the Palazzo Vecchio.
Whether the "David" was requested by the Medici or not, Donatello worked for themproducing sculptural decorations for the Old Sacristy in S. Lorenzo, the Medici church.Essays: David Michelangelo and Donatello.
In order to understand the sculpture fully, we must move around the work. As we move, the views of the work change dra. In order to understand the sculpture fully, we must move around the work. As we move, the views of the work change drastically.
As you can see, the works sculpted by Donatello. In his book Donatello: Sculptor John Pope-Hennessy discusses Donatello’s early life and career. Donatello, from the very beginning, was closely associated with Brunelleschi, the architect and sculptor, and like Brunelleschi he seems to have been trained as a metal worker (13).
Donatello Essay Donatello Donatello is known as one of the most important sculptors of the Early Renaissance. His techniques are still used today. Donatello, or Donato di Niccolò Betto Bardi, was born in Florence, Italy around He was an Italian sculptor.
Donatello was commissioned by the linen drapers guild to sculpt Saint Mark as the guild’s niche decoration in the Or San Michele. The linen drapers guild were his patrons, who Donatello attempted to please with the realistic draping of Saint Marks robes.
In the early 15th century, artist Donatello sculpted a male nude in bronze, David, using Classical ideals.
At the end of the 15th century this sculpture was interpreted by another artist, Andrea Del Verrocchio. While both sculptures portray David standing over the head of Goliath, this is w. Donatello and Michelangelo both created chef-d’oeuvres on the scriptural topic although the attacks of each creative person were wholly diverse and caused alone reactions.
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